Britney Spears Britney Spears Oops I Did It Again Songs

2000 studio album by Britney Spears

Oops!... I Did It Once more
Britney Spears - Oops!... I Did It Again.png
Studio anthology by

Britney Spears

Released May 16, 2000 (2000-05-xvi)
Recorded 1999–2000
Studio
  • 3rd Floor
  • Avatar Studios
  • Battery Studios
  • Electric Lady Studios, New York City
  • East Bay Recording, Tarrytown
  • Pacifique Recording Studios, Hollywood
  • Rarc Studios, Orlando
  • Cheiron Studios, Stockholm
  • La Tour-de-Peilz, Switzerland
Genre
  • Popular
  • dance-popular
  • teen pop
Length 44:37
Characterization Jive
Producer
  • Timmy Allen
  • Larry "Rock" Campbell
  • Barry J. Eastmond
  • Jake
  • Robert "Esmail" Jazayeri
  • Rodney Jerkins
  • David Kreuger
  • Robert John "Mutt" Lange
  • Kristian Lundin
  • Steve Lunt
  • Per Magnusson
  • Max Martin
  • Rami
  • Paul Umbach
  • Eric Foster White
Britney Spears chronology
...Baby One More Time
(1999)
Oops!... I Did It Once more
(2000)
Britney
(2001)
Singles from Oops!... I Did It Again
  1. "Oops!... I Did Information technology Again"
    Released: April 11, 2000
  2. "Lucky"
    Released: July 25, 2000
  3. "Stronger"
    Released: October 31, 2000
  4. "Don't Let Me Be the Last to Know"
    Released: March 12, 2001

Oops!... I Did Information technology Once more is the 2nd studio anthology by American vocalist Britney Spears released on May sixteen, 2000, through Jive Records. Though much in the vein of her debut anthology ...Baby One More Fourth dimension (1999), it is a pop, dance-pop, and teen pop tape, the album incorporates a more funkier and R&B sounds.[1] Contributions to the anthology's production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[ii]

Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its product, sonic quality and Spears' song performance. The album became a massive commercial success, debuting at number one in over fifteen countries while peaking within the top ten in various others. In the United states of america, it debuted at number one on the Billboard 200, with first-week sales of 1.39 million copies, becoming the fastest selling album by a female person artist since Nielsen SoundScan began tracking indicate-of-sale music purchases in 1991.[3] This record was broken 15 years later by Adele's 25, which sold over 3.38 million copies in its beginning calendar week of release.[4]Information technology became Spears' 2nd sequent album to be certified Diamond by the Recording Industry Association of America, denoting sales of over x million copies in the Usa, making Spears at age 18 the youngest artist to have multiple diamond albums.[5] With worldwide sales of over twenty meg copies,[half dozen] Oops!... I Did It Once more is one of the acknowledged albums of all-time.

Four singles were released to promote the anthology. Its championship track was commercially successful in a number of territories, reaching number one in xv countries and peaking at number nine on the U.s. Billboard Hot 100. Its 2nd single, "Lucky", peaked at number one in Austria, Germany, Sweden and Switzerland, within the top ten in Australia, Belgium, Canada, Denmark, Ireland, Italy, holland, New Zealand, Norway, Poland, Romania and the United kingdom, and at number twenty-three on the US Billboard Hot 100. Its third unmarried, "Stronger", reached the tiptop 10 in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the Britain, and peaked at number eleven on the U.s.a. Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gilded certification in Australia, Denmark, Germany, New Zealand, Sweden, and the United States. Its final single, "Don't Let Me Exist the Last to Know", was moderately successful on the charts, peaking at number 1 in Romania, and inside the meridian ten in Austria, Poland, and Switzerland, but failed to chart on the United states Billboard Hot 100. To promote the album, Spears performed on several television shows and laurels ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical guest for the first fourth dimension on Sat Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Again Tour, starting on June 20, 2000 and ending at the Rock in Rio festival on January eighteen, 2001.

Recording and production [edit]

"When I did the start album, I had only turned 16. I hateful, when I look at the album cover, I'thou similar, 'Oh, my lordy.' I know this next anthology'southward going to exist totally dissimilar--peculiarly the material. I only got finished recording the first six tracks in Sweden two months ago, and the material is so much more funkier and edgier. And, of course, information technology's more mature considering I've grown equally a person also."

—Spears on the progression of her cloth for the anthology.[7]

Afterward vacationing for six days following the completion of the ...Baby One More Time Tour in September 1999,[viii] Spears returned to New York City to begin recording songs for her next album; the majority of the recording took identify in Nov. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did Information technology Over again", "Walk on Past" (afterward covered by Gareth Gates), "What U See (Is What U Get)", and "Don't Get Knockin' on My Door" were the outset to be recorded at Martin'southward Cheiron Studios in the first calendar week of November; followed by "Stronger" and "Lucky", which were finalized (along with the championship track) in Jan 2000. Spears recorded "Don't Let Me Be the Last to Know" at Robert Lange's villa in Switzerland in Dec 1999; Lange produced the song.[10] "Where Are Yous At present" was an outtake from ...Infant 1 More Time. "Girl in the Mirror" and "Can't Brand Y'all Honey Me"'s instrumental track and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[xi] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren's "When Your Optics Say It" at Bombardment Studios on Fri, January 28, 2000, which preceded her TRL appearance that twenty-four hours. "One Buss from Y'all" was besides recorded at Bombardment Studios but was later finished at 3rd Floor in New York City. Spears also recorded the last track for the anthology "Honey Diary" which would later be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York Metropolis. Another song recorded during these sessions was "Heart". Her cover of "(I Can't Go No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during Feb 24–26, 2000 later attention the 42nd Almanac Grammy Awards.[13]

By January, the then-untitled album was halfway to completion; Spears had worked on it primarily in the U.s.a. and Sweden, and finalized textile in New York Urban center.[9] She was heavily pressured subsequently ...Babe One More Time 's huge commercial success, stating: "Information technology'southward kind of hard post-obit ten million, I have to say. But after listening to the new material and recording it, I'one thousand really confident with information technology."[14] Upon the release of Oops!...I Did Information technology Again, Spears said: "I mean, of course in that location'southward some pressure", and added: "Simply in my opinion, [Oops!] is a lot better than the starting time anthology. Information technology's edgier – it has more of an attitude. Information technology's more me, and I retrieve teenagers volition relate to it more." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did It Again less than a year and a half after Spears' debut amounts to "very smart timing. My philosophy is when yous accept a young fan base, become 'em while they're hot."[15]

Music and lyrics [edit]

Oops!... I Did It Over again was considered as a sequel to Spears' debut album, ...Babe 1 More Fourth dimension (1999),[1] percolating with a carefully measured blend of familiar pop, funk, R&B and power balladry.[16] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "Information technology'due south non something I changed purposefully", Spears said of the album's audio and added: "It'southward just something that kind of changed on itself with me being older. My voice has changed a little flake and I'g more confident, and I think that comes across on the material."[vii] 1 of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It's going to stupor everybody", adding: "It has flavors of the original, merely it's a straight 2000 version — new to the ear. Which I think is cool, because people who capeesh that song are going to love it. And I made information technology and then new and young that the young kids that beloved Britney are going to honey it. It'due south going to take hold of both a mature and young audience."[17] Spears worked with Robert "Mutt" Lange on "Don't Allow Me Exist the Final to Know", telling MTV News: "When y'all hear the song, it'south so pure and delicate. It's just one of those songs that pull you in", and added: "I think they wrote it 'specially for me, because the lyrics of the song, if y'all really listen … they're more of what I can relate to, 'cause they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'm saying."[17]

The title rails and opening song, "Oops!... I Did It Over again", was compared to her debut unmarried, "...Babe One More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized crush. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, yous think I'thousand in love/That I'm sent from above — I'm non that innocent."[eighteen] The song also breaks down for a spoken-word interlude, involving a line from the film Titanic (1997).[xviii] The 2nd track "Stronger" is a synthpop[19] and R&B-infused track,[17] which is lyrically a announcement of independence, where Spears leaves a partner who treats her like belongings.[twenty] The line "my loneliness ain't killing me no more" makes reference to the poesy "my loneliness is killing me" from her song "...Babe 1 More Time".[17] Another R&B-infused track, which besides adds a bit more funk to the mix,[17] "Don't Go Knocking on My Door" finds Spears confidently forging alee after a breakup.[20] The fourth rails, a comprehend of the Rolling Stones' "(I Tin't Become No) Satisfaction", begins with mushy guitar plucking and blatant coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[21] The dance-popular version also jettisons the song's concluding verse and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my brim should be").[22] "[It] was my idea [to record the song]", Spears said. "I was just like, 'I like this vocal,' and I think it volition be a actually absurd combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song similar that."[13] The 5th track, "Don't Let Me Be the Last to Know", was co-written by country-pop singer-songwriter Shania Twain and her so-husband, producer Robert "Mutt" Lange, who too produced the track.[17] The ballad, which boasts a slinky keyboard riff and Lange'south characteristically lavish production, finds Spears allowing a bit of land twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... but I need to hear it straight from you", she sings.[17]

The sixth track "What U Run across (Is What U Go)" demands respect by rebuking a jealous partner,[20] while the seventh track, "Lucky", is a centre-rending tale of a Hollywood starlet'due south loneliness, proving that fame can exist empty.[20] "If in that location's null missing in my life/So why do these tears come at nighttime?", she asks.[19] "School beat" is the theme of "Ane Buss from Yous",[20] a runway that has a reggae-way beat and lyrics about the feelings of falling in love, and the quickness of it,[23] with Spears cooing that after only ane kiss she sees her entire future with her lover.[24] The ballad "Where Are Yous At present" talks about wanting to know where a previous love is, and what that person is upwards to, then that she tin finally allow them go and observe closure.[ citation needed ] Lines on "Tin't Make You lot Dearest Me", a Europop song,[21] state that fancy cars and money stake in comparison to true love,[20] with Spears singing: "I'm just a girl with a shell on you."[21] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a string section with a loping hip hop beat,[17] while Spears makes her own songwriting debut on the pocket-size, keyboard-driven ballad "Honey Diary", which she said is autobiographical. On the track, she sings of wanting to get "so much more than friends" with a boy.[17]

Release and promotion [edit]

In late 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Smash Hits in the Great britain.[25] In Italy, she did a short interview on the television evidence TRL Italy in early 2000.[25] and gave a surprise performance in Paris in May 2000.[26] In Australia, Spears appeared on The House of Hits and Russell Gilbert Alive on May xiii.[25] In Spain, she gave an interview with El Rayo on September 8 and Oct 24.[25] Spears performed at big venues in the United Kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied past NSYNC, who toured with her during a short Great britain outing in October 2000.[26]

Oops!... I Did It Again was commencement released in Japan on May 3, 2000, and was later released in the United States on May xvi. In the Usa, Spears appeared on Sat Night Alive on May thirteen, The Rosie O'Donnell Show on May 15, and Teen People's 25 Under 25 on May 26.[27] On May ten, she was interviewed on Tardily Night with Conan O'Brien.[25] On May 13, Spears was both the host and musical guest on NBC'due south Sabbatum Dark Live. She also performed on NBC's The Tonight Show with Jay Leno on May 23.[28] Spears' held her post-TRL listening party, "Britney's First Heed", on May 16, and was toast the arrival of her anthology on next Tuesday's installment of TRL that started at 3:30 p.m. (ET).[29] On May fourteen, she was at Times Square studios for two hours of "Britney Live" that started at noon.[29] Spears performed "Oops!... I Did It Again" on MTV's All Access: Backstage with Britney that was broadcast on July 19, 2000.[25] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio Metropolis Music Hall, Spears gave a memorable live performance.[30] which included a cover of the Rolling Stones's hit unmarried "(I Can't Become No) Satisfaction" (1965) and her own hit "Oops!... I Did It Again", released earlier that year. While she began her segment in a blackness accommodate, she shocked the audience and the media while, at just the age of eighteen, ripped it off to brandish a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] Ane month earlier the release of the album, Spears headed to Hawaii on Easter Dominicus so she could record a Fob boob tube special titled Britney Spears in Hawaii. The free concert was held on the beach in forepart of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[32] The Fox concert consequence was intended to serve as a preview of Spears' Oops!... I Did It Once more album that features her twelve new songs.[32] Spears had on a month-long international promotional tour in back up of Oops!... I Did It Again, and on May 2, she had a press event at Kokusai Forum Hall in Tokyo, and fabricated stops in both London and Hawaii.[33] Spears was also among the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at 8 p.yard. (ET/PT).[34] She was too expected to appear on a Grammy-twenty-four hours TRL.[34]

The album's supporting tour, the Oops!... I Did It Again Tour, visited North America, Europe, and Brazil as part of Rock in Rio. On the Crazy 2k Bout, Spears introduced the songs "Oops!... I Did It Again" and "Don't Let Me Be the Last to Know". On June 24, 2000, Spears was featured in a print and television advertising campaign for Clairol'southward Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own song for the brand called "I've Got the Urge to Herbal" that was featured in sixty-2nd radio spots and was office of a pre-concert video presentation for Spears'due south fifty-metropolis summer concert bout, in which Herbal Essences was the tour sponsor.

Singles [edit]

"Oops!... I Did It Again" was released as the lead single from the album and achieved worldwide popularity. Information technology became Spears's third top-ten hit single on the US Billboard Hot 100, peaking at number 9; however, in comparison to the huge success of her debut single "...Baby One More than Time", Jive Records considered "Oops!... I Did It Once again" a minor thwarting.[36] The song peaked at number ane on the United states Mainstream Superlative 40,[37] belongings the record for the most radio additions in ane day. "Oops!... I Did It Once more" peaked atop the charts in Australia, Belgium, Canada, Italia, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United kingdom of great britain and northern ireland.[38] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in now-iconic scarlet shiny catsuit, while she is visited past an American astronaut who hands her the fictional Heart of the Body of water jewel which Rose threw into the sea at the finish of Titanic.[39]

The album'due south 2d unmarried, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered i of her best offerings from the album. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number five on the UK Singles Chart.[xl] In the U.s., "Lucky" only managed to summit at number twenty-three on the Billboard Hot 100 chart and at number 9 on the Mainstream Top 40.[36] The "glittery" music video sees Spears every bit the narrator and an extra named Lucky, who is a melancholy movie star and shows her conflicted relationship to fame.[41]

The third unmarried, "Stronger", was released on October 31, 2000 and became the album's 2nd highest-charting single in the U.s.a., peaking at number 11 on the Billboard Hot 100 and number one on the Hot Single Sales.[36] It reached number vii on the UK Singles Nautical chart.[42] Its music video sees Spears catching her beau cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[41] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasure Principle".[43]

The fourth and final single, "Don't Let Me Be the Final to Know", was released on March 12, 2001 and is 1 of Spears' favorite tracks of her career. In the Usa, the song performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top 40. Nonetheless, the song attained success in Europe, topping the Romanian Top 100 and peaking within the superlative ten in Republic of austria, Poland and Switzerland, while just missing the superlative 10 in Frg, Ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[44] The music video was considered likewise racy at the fourth dimension, portraying Spears in honey scenes with her fictional fellow, played by French model Brice Durand.[45]

"You lot Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the United Kingdom in January 2001.[ citation needed ]

Critical reception [edit]

Professional person ratings
Aggregate scores
Source Rating
Metacritic 72/100[47]
Review scores
Source Rating
AllMusic [1]
Billboard favorable[16]
Christgau'southward Consumer Guide (choice cut) [48]
Amusement Weekly B[21]
Los Angeles Daily News [49]
MTV Asia 8/10[50]
NME 8/x[19]
Rolling Rock [22]
Salon favorable[51]
Sonic.net [52]

Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Once more received an average score of 72, based on 12 reviews, indicating "by and large favorable reviews".[53] Giving the album four out of 5 stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic toe-pop that made 'Ane More Time'," but remarked that, "Fortunately, she and her product team not only have a stronger overall set of songs this time, simply they too occasionally go carried abroad with the aforementioned bewildering magpie aesthetic, [...] giv[ing] the album graphic symbol autonomously from the well-crafted trip the light fantastic-pop and ballads that serve as its heart. In the end, it's what makes this an entertaining, satisfying mind."[1] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful edge and emotional depth that can't exist conjured with a glass-shattering note," praising the album for consistently bandage[ing] Spears as a young woman coming to terms with her inner power—and that's a darn good bulletin to offering an impressionable audience."[xvi] Entertainment Weekly'due south David Browne gave the album a B-rating, writing that the album "reminds us once once more that the best new pop tin be a blast of cool air in a stifling room."[21]

Rob Sheffield of Rolling Stone gave the album a three-and-a-half out of v stars rating, calling the album "fantastic pop cheese, with much better vocal-factory hooks than 'Northward Sync or BSB become", also noting that "the great thing about Oops!, under the cheese surface, is circuitous, trigger-happy and downright scary, making her a true kid of rock & gyre tradition."[22] A writer of NME reported that "she's modern-day pop perfection realised in a nearly, human form", commenting that "she's done it again."[19] Lennat Mak of MTV Asia named information technology "a brilliant second anthology", writing that Spears "is armed with a more mature and seasoned popular star expect, stronger and poppier songs, and of course, extensive media exposure."[l] Andy Battaglia of Salon chosen the anthology "a masterpiece of sorts not for its bulletin simply for the way information technology applies the conventions of the pop-musical medium."[51] Website The A.V. Gild was more than mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and contrasted Swedes."[54]

Accolades [edit]

Commercial performance [edit]

In the U.s.a., Oops!... I Did Information technology Once again reportedly sold 500,000 copies in its commencement day of release.[lx] Information technology debuted at number one on the Billboard 200 chart, with first-week sales of 1,319,193 copies.[61] [62] [63] With its success, Spears held the record for the highest offset-week sales by a female creative person.[64] This record was held for fifteen years, only to be surpassed in November 2015 by the album 25 past Adele, which sold over three.38 meg albums in the The states in its offset calendar week.[4] The album savage to number two in its second week, with additional sales of 612,000 copies.[65] It held this position for fifteen consecutive weeks.[66] [67] By its fifth calendar week of availability, Oops!... I Did It Again had sold over iii one thousand thousand copies and had passed five million copies by August.[68] On its seventeenth week on the chart,[69] it was certified septuple Platinum past the Recording Industry Clan of America (RIAA) for shipments of seven one thousand thousand units.[70] [71] The album spent eighty-four weeks on the Billboard 200, xxx-one weeks on the Canadian Albums Chart, and two weeks on the US Catalog Albums.[72] Oops!... I Did It Again debuted at number eighty-two on the European Top 100 Albums, and quickly peaked at number one;[73] it sold over iv one thousand thousand copies within the continent, being certified iv-times Platinum past the International Federation of the Phonographic Industry.[74] Oops!... I Did Information technology Over again reached number two on the United kingdom Albums Nautical chart,[38] selling 88,000 copies in the showtime week of release; it remained in the top 5 for four weeks. The album debuted at number one in Canada, selling 95,275 copies in its offset week.[75]

It topped the French Albums Chart[76] and the German Offizielle Top 100, as well existence certified triple Platinum by the British Phonographic Industry (BPI),[77] double Gold by the Syndicat National de 50'Édition Phonographique (SNEP)[78] and triple Platinum by Bundesverband Musikindustrie (BVMI),[79] cogent shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent 10 weeks in the meridian xx;[80] it became the fourteenth highest-selling of 2000 in the state and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following year afterward shipping 140,000 copies to retailers.[81] [82] Oops!... I Did Information technology Again opened at number three on the New Zealand Albums Chart and was certified Gold subsequently just i week on the chart.[83] The Recording Industry Association of New Zealand (RIANZ) ultimately certified it double Platinum.[84] Oops!... I Did It Once more became the third best-selling anthology of 2000 in the United States, selling 7,893,544 albums according to Nielsen SoundScan[85] and fourth acknowledged anthology according to Billboard Twelvemonth-End of 2000.[86] On January 24, 2005, the anthology was certified decuple Platinum (Diamond) by the Recording Industry Clan of America (RIAA).[87] [88] Also, the anthology landed at number twenty-seven on BMG Music Club all-time best-sellers listing with ane.21 meg units, behind Shania Twain'south The Woman in Me (1.24 1000000) and Nirvana'due south Nevermind (1.24 million).[89] Equally of July 2009, the anthology has sold ix,184,000 copies in the U.s.a., excluded copies sold through clubs, such as the BMG Music Service.[90] Worldwide, Oops!... I Did It Again sold ii.5 million copies in its get-go week (second highest first week sales by a female creative person worldwide) and sold 15 million copies by the cease of the year. It was the best-selling female anthology and 3rd all-time selling anthology of 2000. The anthology has sold 20 1000000 copies worldwide.[half-dozen]

Controversy [edit]

Musicians Michael Cottril and Lawrence Wnukowski filed a copyright example confronting Spears, Zomba Recording Corporation, Jive Records, Wright Amusement Grouping and BMG Music Publishing, challenge Spears' "What U Encounter (Is What U Get)" and "Tin can't Make Yous Love Me" are "virtually identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What You lot See Is What Y'all Get" in 1999 to i of Spears' representatives for consideration on a future album, though it was rejected.[91] The instance was later on dismissed later information technology was ruled that they lacked sufficient bear witness and that there "weren't enough similarities between the two songs to prove copyright infringement."[92]

Rails list [edit]

Oops!... I Did It Again  – North American edition[93]
No. Title Author(s) Producer(s) Length
ane. "Oops!... I Did It Over again"
  • Max Martin
  • Rami Yacoub
  • Martin
  • Yacoub
3:31
2. "Stronger"
  • Martin
  • Yacoub
  • Martin
  • Yacoub
3:23
3. "Don't Go Knockin' on My Door"
  • Martin
  • Yacoub
  • Jake Schulze
  • Alexander Kronlund
  • Jake
  • Yacoub
iii:43
4. "(I Can't Go No) Satisfaction"
  • Mick Jagger
  • Keith Richards
Rodney Jerkins 4:23
5. "Don't Let Me Be the Last to Know"
  • Robert John "Mutt" Lange
  • Shania Twain
  • Keith Scott
Lange three:fifty
6. "What U Run into (Is What U Get)"
  • Per Magnusson
  • David Kreuger
  • Jörgen Elofsson
  • Yacoub
  • Magnusson
  • Kreuger
  • Yacoub
3:36
7. "Lucky"
  • Martin
  • Yacoub
  • Kronlund
  • Martin
  • Yacoub
3:26
eight. "One Kiss from You lot" Steve Lunt
  • Lunt
  • Larry "Rock" Campbell
3:23
9. "Where Are You Now"
  • Martin
  • Andreas Carlsson
  • Martin
  • Yacoub
4:39
10. "Tin can't Make Yous Love Me"
  • Kristian Lundin
  • Carlsson
  • Martin
  • Lundin
  • Jake
iii:17
xi. "When Your Eyes Say It" Diane Warren
  • Lunt
  • Robert "Esmail" Jazayeri
  • Paul Umbach[a]
4:29
12. "Dear Diary"
  • Britney Spears
  • Jason Blume
  • Eugene Wilde
  • Timmy Allen
  • Barry J. Eastmond
2:46
Total length: 44:37
Oops!... I Did It Over again  – International edition[94]
No. Title Writer(s) Producer(s) Length
12. "Daughter in the Mirror" Elofsson
  • Magnusson
  • Kreuger
4:06
13. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 48:24
Oops!... I Did It Again  – Asian edition[95]
No. Title Writer(south) Producer(s) Length
11. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Daughter in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iii:36
13. "You Got It All" Rupert Holmes Eric Foster White iv:43
14. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 52:33
Oops!... I Did Information technology Over again  – Japanese, Australian, Mexican, Asian and United kingdom of great britain and northern ireland special edition[96] [97]
No. Title Writer(south) Producer(s) Length
11. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iii:36
13. "You Got Information technology All" Holmes White iv:x
14. "Eye"
  • George Teren
  • Wilde
  • Lunt
  • Campbell
three:31
15. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 55:34
Oops!... I Did Information technology Over again  – Australian special edition (bonus disc)[98]
No. Title Length
1. "Don't Let Me Be the Final to Know" (Album version) 3:50
ii. "Don't Let Me Be the Last to Know" (Hex Hector Radio Mix) 4:01
3. "Don't Let Me Be the Last to Know" (Hex Hector Club Mix) ten:12
4. "Stronger" (MacQuayle Mix Show Edit) 5:21
5. "Stronger" (Pablo La Rosa'southward Tranceformation) seven:21
6. "Oops!... I Did It Again" (Music video) 4:11
seven. "Lucky" (Music video) 4:07
8. "Stronger" (Music video) three:37
9. "Don't Let Me Be the Last to Know" (Music video) 3:51
Total length: 30:52
Oops!... I Did It Again  – Asian special edition (bonus disc)[99]
No. Title Length
i. "Oops!... I Did Information technology Over again" (Music video) 4:20
ii. "Lucky" (Music video) 4:14
three. "Stronger" (Music video) three:47
four. "Oops!... I Did Information technology Once more" (Karaoke) four:17
5. "Lucky" (Karaoke) iv:eighteen
6. "Stronger" (Karaoke) 3:46
Total length: 25:25

Notes

  • Rails 4, "(I Tin can't Become No) Satisfaction" is a encompass of the 1965 Rolling Stones single.
  • ^a signifies a song producer

Personnel [edit]

Credits adjusted from AllMusic.[100]

  • Britney Spears – vocals, groundwork vocals, spoken words, concept
  • Steve Lunt - A&R, composer, producer, string arrangements
  • Jeanne LeBlanc – cello
  • Jesse Levy – cello
  • Kermit Moore – cello
  • Eugene J. Moye – cello
  • Harvey Mason, Sr. – editing
  • Bobby Brownish – assistant engineer
  • Flip Osman – banana engineer
  • Clayton Wood – assistant engineer
  • Anthony Ruotolo – banana engineer
  • Alfred Bosco – assistant engineer
  • Shane Stoneback – assistant engineer
  • Charles McCrorey – engineer, banana engineer
  • Michel Gallone – engineer, mixing engineer
  • Chris Trevett – engineer, vocal engineer, mixing engineer
  • Eric Gast – engineer
  • Tim Donovan – engineer
  • Harvey Bricklayer, Jr. – engineer
  • Dan Gellert – engineer
  • John Amatiello – engineer
  • Stephen George – mixing engineer
  • Dexter Simmons – mixing engineer
  • Chris Tergesen – string engineer
  • Michael Tucker – vocal engineer
  • Jackie Tater – art direction, design
  • Mark Seliger – dorsum comprehend, cover photo
  • Larry "Rock" Campbell – bass, guitar, producer, drum programming
  • Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
  • Esbjörn Öhrwall – guitar
  • Johan Carlberg – guitar
  • Michael Thompson – guitar
  • Kali – hair stylist
  • Gloria Agostini – harp
  • Max Martin – keyboards, programming, producer, mixing engineer, spoken discussion
  • Robert "Esmail" Jazayeri – keyboards, producer, drum programming
  • Per Magnusson – keyboards, programming, producer, mixing engineer
  • Jake – keyboards, programming, producer, mixing engineer
  • Kristian Lundin – keyboards, programming, producer, mixing engineer
  • Rami – keyboards, programming, producer, mixing engineer
  • David Kreuger – keyboards, programming, producer, mixing engineer
  • Kent Wood – keyboards
  • Elan Bongiorno – make-up
  • Johnny Wright – management
  • Tom Coyne – mastering
  • Nigel Green – mixing
  • Jon Ragel – photography
  • Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
  • Rodney Jerkins – producer, engineer, vocal organisation, mixing engineer
  • Robert John – producer
  • Timmy Allen – producer
  • Richard Meyer aka Swayd – programming
  • Cory Churko – programming
  • Kevin Churko – programming
  • William Meade – string coordinator
  • Hayley Loma – stylist
  • Alfred V. Chocolate-brown – viola, orchestra contractor
  • Julien Hairdresser – viola
  • Olivia Koppell – viola
  • Harry Zaratzian – viola
  • Maxine Roach – viola
  • Stephanie Baer – viola
  • Richard Henrickson – violin, concertmaster
  • Sanford Allen – violin
  • Belinda Whitney-Barratt – violin
  • Sandra Billingslea – violin
  • Winterton Garvey – violin
  • Gerald Tarack – violin
  • Joyce Hammann – violin
  • Stanley Hunte – violin
  • Regis Iandiorio – violin
  • Gene Orloff – violin
  • Marion Pinhiero – violin
  • Marti Sweetness – violin
  • Amahid Ajemian – violin
  • Xin Zhao – violin
  • Margaret Magill – violin
  • Ashley Horne – violin
  • Nikki Gregoroff – groundwork vocals
  • Audrey Martells – background vocals
  • Nana Hedin – groundwork vocals
  • Darryl Anthony – background vocals
  • Nora Payne – background vocals
  • Jeanette Söderholm – background vocals
  • Therese Ancker – background vocals
  • Charlotte Björkman – background vocals
  • Andres Von Hofsten – groundwork vocals
  • Nina Woodford – background vocals
  • Mona Yacoub – background vocals
  • Jeanette Olsson – background vocals
  • Stephanie Baer – background vocals

Charts [edit]

Certifications and sales [edit]

Release history [edit]

See also [edit]

  • List of best-selling albums
  • Listing of acknowledged albums by women
  • List of acknowledged albums in the United States
  • List of fastest-selling albums

Notes [edit]

  1. ^ Equally of December 2010, Oops!...I Did It Once again has sold 9,201,000 copies in the United States according to Nielsen SoundScan,[186] with additional 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly pop in the 1990s.[90]

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Bibliography [edit]

  • Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Yr by year. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.

External links [edit]

  • Official website

meyerbeflon1960.blogspot.com

Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)

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